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The Sandmann’s Journal Vol. 2 is a continuation of Vol. 1. Taken from my blog, the dates at the beginning of each chapter indicate when they were initially published. Though factual, these entries are not intended for journalism. Even though there are interviews with Eddie Bullen and his son, Quincy Bullen |whom I’d worked with|. I had limited access to mainstream radio, television, and little internet presence then. The blog served as a platform where I addressed the public and spoke on various topics.

I had limited access to mainstream radio, television, and little internet presence.”

I was battling with the ongoing castigation of patriarchy in exchange for matriarchy and feminism. It is not matriarchy that I resented. Instead, it was unacceptability. In these chapters, I expose you to Hip Hop’s creed. I wrote about misconceptions and the exact look for a Hip Hop dude. I touched on the irony of how we accept singer Lady Gaga to be “born this way.” But not rapper DMX. Meaning the mainstream takes Lady Gaga’s endeavor while it rejects DMX’s.

www.freddywill.com

Taken from My Blog

Surrounding the murder of Trayvon Martin, I touched on civic activism. By showing how a TV show like “Jersey Shore” could strip some of its slang from Hip Hop. Without giving credit. In this volume, I taught some religious philosophies within the context of Abrahamic discipline. It demonstrates some practical approaches to creative expression. Western superpowers rise to end racism, gender inequality, and homophobia. These entries point toward our commitment to Abraham’s creed.

As the global community becomes cordial with a thought process which was once banished, by society, from morality…”

As the global community becomes cordial with a thought process that was once banished, by society, from morality, these blogs draw a line between virtues and depravity as interpreted not by the media or secular culture but by scripture and our ancient tradition, when an emcee makes such a statement, usually, homosexuals, transgender, and some feminists anxious that the emcee is advocating chauvinism, intolerance, or xenophobia.

The Sandmann’s Journal Vol. 2

To ratify this, you will find entries on the twelve tribes of Israel, which is to allow the historical tradition to be reiterated without bastardization unless one were to call for the Abrahamic doctrine to be renounced as it firmly promotes love, culture, discipline, the fear of God and devotion. As an admirer of theater, literature, and music, I also used my platform to speak on some of the most controversial arguments at the time. There are entries on the 2nd Amendment Rights, gun violence in the United States, and the American political system as it relates to the status of the middle and lower class, especially when the Republican Party is concerned.

…the release of my 12:12: 12 EP, “City of Kings: RELOADED.”

Being motivated by respect for humanity, culture, tradition, and ethical accountability, not monetary gain, political correctness, or secular faith, I want my readers to be skeptical without altering or participating in radicalism. You will find entries about Hip Hop Kulture, the release of my 12:12: 12 EP, “City of Kings: RELOADED,” my take on Canadian Hip Hop, and how I correlate with West Africa. Of course, you should expect to read my views on subjects like the murder of Trayvon Martin or drug-related celebrity deaths.

I addressed the most common misconceptions of Hip Hop Kulture. Above and beyond entertainment, another reason you will enjoy this book is how it motivates; 1 | respect for scripture and 2 | thwarts the psychological mutation resulting from ungodly wisdom.*

www.freddywill.com

About Post Author

Wilfred Kanu Jr.

Wilfred Kanu Jr., known as Freddy Will, is a Sierra Leonean-born American author, music producer, and recording artist. He writes on history, philosophy, geopolitics, biography, poetry, public discourse, and fiction. He resides in Berlin, Germany, mixing hip-hop music with jazz, calypso, dancehall, classical, r&b, and afrobeat.
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