0
0
Vol. 3 continues from volume 2. It also comes from my blog, and the dates at the beginning of each chapter indicate when I published the original article. I also need to reiterate that although my writing consists of factual information, I based the overall data on my point of view. Therefore, it would be unwise for anyone to use the contents of this book for anything other than educational purposes. Since my ideas come from the teaching I received during my upbringing, they cannot justify another person’s reason to shame, discriminate or judge someone. These ideas are not scripture or breaking news.
In Volume 1, I addressed topics like how I established my entertainment career in Ontario against all the odds. I described how I released books with accompanying studio albums. And how I turned my attention to writing socially, politically, and religiously informed blogs. Remember, the challenge of this book is to express my beliefs and thought process at the time. It speaks about how Soul Asylum Poetry & Publishing came to publish my books and how I was thinking and feeling back then.
Therefore, its contents are not intended for you to use them for journalistic purposes. They can be used for educational purpose, though.”
By the time you get through Volume 2, you will see a shift in my subject matter. During that time, I wrote my reaction to patriarchy and feminism. I was looking for a mental balance between civil and gay rights. These topics may have been the most prominent issues on my mind. Some blogs gave my point of view on trending Hip Hop news and rumors. Volume 2 reads as a melting pot of my philosophy on subjects like gender roles, patriarchy, misconceptions of Hip Hop, the murder of Trayvon Martin, racism, bullying, gun violence in America, the fairness of God, monotheism, faith, etc.
After you surf through volumes 1 & 2, naturally, you will arrive at Volume 3. Here, I’m mainly pondering the same topics as before, only a bit deeper. I speak about the creed of Hip Hop and clarify my doubts about romantic curiosities with women. I also showed that although I’m far from a simp or an MGTOW, the disorders of female objectivity reflect in my mind. Then I dove into my third book and album collection, “Hiphop KruZade …Path of a Legend” and “Laboramus Exspectantes Vol 1.” This time, I will explain how I connected Hip Hop with African culture. One of the political subjects I wrote about in this book was “The Mayor Ford Scandal.” I posted more questions on gender roles, the family, and accountability.
The Sandmann’s Journal Vol. 3
Volume 3 is my reaction to global ideological changes at that time. I talked about the uniqueness of the original African music and dance cultures. I was arguing that every African music and dance is unequaled. Another subject you will find here is my thoughts on LGBT rights in Africa. Remember that these topics already exist in the continent’s long-standing Islamic and Christian traditions. Remember that the running thread in this series of Journals is the Abrahamic doctrine. My focal point is against secularism—the balance between overselling womanism to the detriment of tradition or the bastardization of men. In a way, I played the devil’s advocate for long-standing male-dominated societies.
In a nutshell, this Volume talks about Hip Hop philosophies like Afrocentrism and the Pan-African movement. You will see topics like The Universal Zulu Nation, The Nation of Gods, and Earth’s Five Percenters. This book demonstrates my Kultural approach to creative expression. The subjects range from Donald Sterling’s fall to the Ebola outbreak in West Africa. From the nature of not only God but Lucifer as well. There is a strong focus on the mainstream media. Mainly how it popularized the Bill Cosby accusations and other questionable double standards. More chapters delve into what appeared to be a surge in racism, intolerance, and police killings of unarmed black people and the best ways to stop that catastrophe.*
