Freddy Will's Notebook

The mind of an Intricate Wordsmith

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Brazenitout Volume 3 maintains the stylistic consistency of its predecessors. Volume 1 chronicles my ascent in Canada’s music and literary landscapes. Each chapter is timestamped with its initial online publication date. These firsthand accounts offer an intimate portrait of my artistic evolution, inviting readers to understand my creative journey. That phase, marked by several books and accompanying albums, ultimately propelled me towards intellectually stimulating explorations in social, political, and theological literature, forcing a profound recalibration of my perspectives and creative processes in hip hop.

In the second installment, I dissect my perspective on the ongoing clash between patriarchal norms and feminist ideals. I also navigated the delicate equilibrium between civil and LGBTQ+ rights—issues thrust into the public arena. Volume 2 serves as a crucible. It forges my reflections on gender dynamics, prevalent misunderstandings, America’s gun violence epidemic, the tenets of monotheism, and the pervasive reality of societal limitations. Having journeyed through these two volumes, the reader encounters Volume 3. Here, I articulate the fundamental principles underpinning the modern Hip Hop ethos.

This volume dissects the core tenets of Hiphop, analyzing its foundational principles as articulated by KRS-One, the Universal Zulu Nation, and the Five Percenters. I explore the interplay between Hip Hop’s ethos and a diverse spectrum of Black ideologies. It prompts a reflection on the legacies of the Civil Rights Movement, the Black Panthers, Gang enterprises, religious and spiritual beliefs, pragmatic and reformist political movements, and Black Feminism. The text examines the mindset inherent within Hip-Hop while offering a candid exploration of my perspective on relationships with women.

As a hip-hop artist, I aimed to unearth the philosophical currents shaping the Kulture. While I only briefly touched upon Islam, Afrocentrism, Christianity, Pan-Africanism, and Black Nationalism, I offered understanding. I illuminated how these ideologies profoundly impact the cultural landscape within the community of African descent. Volume 3 responds to the seismic ideological shifts of 2014 and 2016. During this period, a concerted effort by media, government, and corporations aggressively promoted secular values, simultaneously vilifying those who resisted the encroachment of popular opinion.

Brazenitout 3 embodies the spirit of a people grappling with cultural metamorphosis. Our historical identity, rooted in cultural norms and religious convictions, now clashes with the ascendant tide of secularism. The relentless advance of digital technologies (the internet and social media) has exponentially amplified this global shift, fueling a dramatic realignment of values. A phenomenon emerged: individuals traditionally bound by religious faith increasingly embraced feminist and LGBTQ+ ideologies, often at odds with their inherited beliefs. Hip-hop itself had become a polluted art form.

This book series responds robustly to the pervasive secularist narratives dominating public discourse. It expands upon my earlier blog entries from 2014 to 2016. Volume 3, a work of unwavering conviction, is a testament to this ongoing struggle. This exploration of creative expression showcases diverse manifestations of societal upheaval. One section examines the seismic impact of conflict between perceived divine and infernal forces. Subsequent chapters dissect the alarming rise in racism, prejudice, and the tragic police killings of unarmed African-American men in the United States. It proposes potent strategies to mitigate these devastating occurrences and foster meaningful discussions of educational purposes.

About Post Author

Wilfred Kanu Jr.

Wilfred Kanu Jr., known as Freddy Will, is a Sierra Leonean-born American author, music producer, and recording artist. He writes on history, philosophy, geopolitics, biography, poetry, public discourse, and fiction. He resides in Berlin, Germany, mixing hip-hop music with jazz, calypso, dancehall, classical, r&b, and afrobeat.
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Wilfred Kanu Jr.

Wilfred Kanu Jr., known as Freddy Will, is a Sierra Leonean-born American author, music producer, and recording artist. He writes on history, philosophy, geopolitics, biography, poetry, public discourse, and fiction. He resides in Berlin, Germany, mixing hip-hop music with jazz, calypso, dancehall, classical, r&b, and afrobeat.

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